Full Article: PDF
Scientific Object Identifier: http://s-o-i.org/1.1/TAS-09-77-26
DOI: https://dx.doi.org/10.15863/TAS.2019.09.77.26
Language: English
Citation: Rakhmonova, S. M. (2019). Rubai metrics in Uzbek poetry in the second half of the twentieth century (in example of creativity of Khabibi, Sabir Abdulla, and Chusti). ISJ Theoretical & Applied Science, 09 (77), 142-146. Soi: http://s-o-i.org/1.1/TAS-09-77-26 Doi: https://dx.doi.org/10.15863/TAS.2019.09.77.26 |
Pages: 142-146
Published: 30.09.2019
Abstract: The article focuses on the discussion of rubaiyat, a genre of Uzbek classical poetry in a form of quatrains, of such representatives of Uzbek literature of the second half of the XX century as Khabibi, Sabir Abdullah, Chusti. Theories about rubaiyat were first expressed in classical sources, in particular in the works of “Funun ul-balogha” by Sheikh Ahmad Tarazi, in the works “Mezon ul-avzon” by Alisher Navoi and in “Treatise of Aruz” (“Mukhtasar”) by Zakhiriddin Muhammad Babur. The descriptions of the rubai in these works differ from each other. The poets were creating in the genres of classical poetry such as tuyuk and rubaiyat, alongside with the lyric genres that were introduced by European poetry. The same aspects of the poetry of Khabibi, SabirAbdulla and Chusti are being analyzed. The specific characteristics of their rubaiyat that integrates both – the canons of classical and trends of contemporary quatrains. Analyzing the genre characteristics of the poems written in Aruz metrics by Khabibi, SabirAbdulla and Chusti are divided in to three subtypes such as traditional (classical rubaiyat), “dubaytiy”s and the last one is quatrains. Moreover, the analysis of metrics and genre specifics are analyzed in the article.
Key words: Aruz, Khabibi, Sabir Abdullah, Chusti, rubai (classical quatrains), dubayti, poetic quartet, ramal, hazaj, metrics.
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