Full Article: PDF
Scientific Object Identifier: http://s-o-i.org/1.1/TAS-06-86-82
DOI: https://dx.doi.org/10.15863/TAS.2020.06.86.82
Language: English
Citation: Turamuratova, I. (2020). The world of metaphor in the poetry of Federico Garcia Lorca. ISJ Theoretical & Applied Science, 06 (86), 440-442. Soi: http://s-o-i.org/1.1/TAS-06-86-82 Doi: https://dx.doi.org/10.15863/TAS.2020.06.86.82 |
Pages: 440-442
Published: 30.06.2020
Abstract: Metaphor is an important factor in the development of human consciousness, provides the conceptualization of an unexplored object by analogy with the already established system of concepts. Analyzing the various poetic works of Federico Garcia Lorca, we find that he was also aware of various three-part gradations of styles. It seems that in this realm of disharmony, the author manages in the very attempt to create chaos and disorderly Association to feel in some other space to him alone, perhaps, a visible harmony. The poet's gaze seems to break out of the three-dimensional vision inherent in man into the expanse of the fourth dimension, which destroys our everyday world. The absolutization of the directions of time in the poetic discourse of Lorca is subject to revision. If in his artistic space there are real areas where internal and external concepts are relative, then in his time the «directions» of the past – future – present turn out to be just as relative. Lorca models unusual combinations of «past - future» or «future-present» or «present - past» for our ears, not to mention the possibility of combining them into one whole.
Key words: Metaphor, poetic, analogy.
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